3 Ways to Create Conflict with Magic

(Note from Annie: Today we have a guest post from Katie Nichols all about how you can use magic in your stories and a chance to win a SIGNED copy of The Cruel Prince. These are brought to you by the wonderful people behind the Chapter One Young Writers Conference (for writers ages 11-20) and the new Chapter Twenty-One Conference (for writers ages 21-29). Learn more about both here: www.chapteroneconference.org and www.chapter21conference.org.)

Hello, magical people!

Today, I want to talk about magic, specifically magical conflicts.

I love fantasy stories, especially ones with captivating magic systems. And I love it when magic causes problems for characters. While good stories are full of conflict and problems for the characters to overcome, there’s something extra awesome about magic being the source of problems.

So how do you create magical conflict? How do you make magic not only awesome, but also a source of problems?

Look at it from a bunch of different angles and ask questions. Here are a few suggestions of questions to ask yourself, with lots of examples.

1.Where does the magic come from?

In Tangled, Rapunzel’s magic comes from her hair (and before that, it came from a magic flower). Her magic heals and gives youth. An old witch wanted to be forever youthful, so she kidnapped baby Rapunzel. So really, all of the problems in Rapunzel’s life—being kidnapped then living in a tower—came because of her magic and its origins in that magic flower.

Let’s look at The Lord of the Rings. If you know anything about this story, you know that it’s basically a journey to destroy a magic ring that houses the Dark Lord’s soul before said Dark Lord can get it back. So what problems arise from this magic? Well, it’s evil magic, so there are a lot of problems just from that (more on this later in the post). But it is also very powerful and everyone either wants the Ring or wants to destroy it. One does not simply walk into Mordor to destroy it.

Aladdin doesn’t actually have magic, but his friend the Genie does. The origin of magic here causes problems because the Genie is limited by his magic. He can’t bring people back to life, he can’t kill anyone, and he can’t make anyone fall in love with anyone else. And like the other two examples, many people want this magic and not for the most pure of reasons.

2. How does the magic affect the character mentally/emotionally? 

Another example from The Lord of the Rings, when Frodo is taking the Ring to Mordor, we see him slowly being (for lack of a better word) possessed by the Ring. He doesn’t want to lose it, he is losing sleep over it, he is sorely tempted to wear it, and all this gets drastically worse as the story progresses. Gollum is the picture of what happens when someone is completely consumed by the Ring and insanity is also a common effect of magic in stories.

Elsa from Frozen is someone whose magic has affected her emotions. In the movie, Elsa’s magic conflicts are caused by how others see her magic as well as how she sees it. In the beginning of the movie, she loves her magic as she and her sister play with it. But when her sister gets hurt by Elsa’s magic, she’s scared of hurting people, and she begins to fear her magic, to the point that she is isolated from the rest of society. How society and the character themselves feel about their own magic is a good thing to consider.

3. How does the magic affect the character physically? 

It’s common in magic systems (especially in RPG stories) for the character to become weak or lose some of their ability to do magic as they do it, like they have a limited supply of magic. To do more than they are capable of could be dangerous. A good example of this is The Glamourist Histories series by Mary Robinette Kowal. The glamour magic takes their energy and doing too much can be fatal. (If you are a Jane Austen and fantasy fan, I suggest looking into these books.)

There are other ways to physically effect a character with their magic. In Tangled, Rapunzel can’t cut her hair, or it loses it’s power, turns brown, and doesn’t grow back. In one of the stories I’ve been working on, one of my characters can turn into a dragon. Some ways this could physically effect him is that maybe he smells like smoke or has dry skin or a tint of green even while he’s human.

These aren’t all the questions that you can ask yourself for making magic cause problems, but I hope they help. For more questions you can ask yourself, I recommend looking at Brandon Sanderson’s Laws of Magic. (https://brandonsanderson.com/sandersons-third-law-of-magic/) He writes fantasy (I love the Mistborn series, personally) with amazing magic systems.

Now go create some magical problems! I can’t wait to see what you come up with.

Thanks for stopping by! Click here to enter to win a SIGNED copy of The Cruel Princehttp://www.rafflecopter.com/rafl/display/50b1bee432/

7 Tips to Get the Most Out of Any Writing Conference

I attended my first writing conference (the Midwest Writers Workshop) back in 2013, and I went in with one goal: to get a literary agent. Every decision I made was calculated on how best to accomplish that goal. Did I leave that conference with a literary agent? No. But I did leave with the knowledge and connections that helped me land one within the next four months. So here are my secrets to how you can get the most out of a writing conference.

1.) Treat it like a job

If you want to actually make money writing, then you have to treat it like a business. Invest in business cards. Start author pages on Facebook and/or create a blog or Twitter account. Make sure people can find/contact you after they leave the conference.

2.) Define your brand

Since you need to treat writing like a job, you need to figure out what your brand is and make sure you’re consistent. This means, if you’re writing picture books and an agent goes to your Twitter and sees nothing but tweets full of profanity, they may be turned off (unless that’s what your picture book is about, of course.) You need to encompass what you’re trying to sell. This means dressing the part, too. If you’re pitching an agent face-to-face, look presentable. However, if your brand is all about goth vampires, don’t be afraid to let that show in your clothing and makeup choices. You have to be the best representative of what you’re pitching them. This also stands true with alcohol consumption. While some people may need some liquid courage before facing agents during a conference’s cocktail hour, you can leave a bad impression if you consume too much. Keep in mind your brand encompasses all that you do and say.

3.) Strategically plan your agent interactions

Many conferences offer a chance to pitch agents. Take advantage of this. Of course, do through research ahead of time to see which agent is the best fit. At some conferences, they also offer everything from query critiques to first 10 pages critiques, often by editors and agents. If that’s the case, it could be worth the money to do both, especially if there were two or three agents who might be a good fit for your story. By doing a pitch with one agent, a query critique with another, and a 10 page critique with a third, you can successfully get feedback from all three and see if they’re interested. If nothing else, when you do query them, you can include that you met them at that specific conference, which always helps.

**Bonus Tip** Sign up for the conference early for the best chance of getting to pitch/have a query critique with the agent or editor you want. Slots often fill up fast!

4.) Find your people

Conferences are one of the best places to meet critique partners. Talk with as many people as you can to find other writers who write in your genre or age group. Take advantage of activities like “Find Your Tribe” to meet people who write what you do. Even if you leave without making any headway with agents, you might just leave with a new critique partner who can help you polish your next work in progress so it catches an agent’s eye. Or, a new writer friend might have an agent already and be willing to put in a good word for you.

5.) Don’t be a wallflower

If you’re shy or introverted, it can be hard to put yourself out there. But if there are opportunities to read your work aloud or have your first sentence critiqued during a session, speak up. You never know what agent has snuck into a session and is listening. The more you put yourself out there, the more you’ll get in return.

6.) Make the most of every opportunity

Having lunch and there’s an empty seat next to that literary agent you know would love your book? Take it! Did an author give a great session on world building? Stop them in the hallway and let them know. You never know what interaction could open a door for you. Be kind and sincere, and don’t be afraid to take chances. (Note: DO NOT approach literary professionals in the bathroom, and do not blind pitch them when you’re standing in the lunch line. Only tell them about your story if they ask, and generally, they will ask because they’re just as eager to find good stories as you are to get published.)

7.) Don’t be afraid to attend different sessions

Are you a fantasy writer? Don’t be afraid to attend a session on writing mysteries. You never know what tips you might pick up about adding suspense and writing about villains. The biggest thing is to go in with an open mind so that you can absorb all the information being thrown at you, and then, when you get back in front of your manuscript, you can sort out how to implement it.

 

Above all, have fun and make friends. Being a writer can be tough and isolating, but going to conferences is one of the best ways to break out of those ruts. Take chances, and maybe in a year or two, you could be that author giving a session on voice or point of view. Good luck, and I hope to see you at Midwest Writers Workshop this year!

 

 

The 1 Thing Authors Should Be Doing to Improve Their Writing

So many authors read blog post after blog post or book after book about writing, but too few authors put the time and money necessary into conferences.

I attended my first conference back in 2013, and even then, I had to be prodded into it by some writing friends. I didn’t see the point in spending money to learn about writing when I’d already paid to get a Masters degree in Creative Writing.

Boy, was I wrong! The conference I went to was called the Midwest Writers Workshop in Muncie, Indiana. To be honest, I went because I wanted a literary agent, and the conference offered me multiple opportunities to interact with and pitch agents. (Spoiler alert: what I learned at the conference and the feedback I got eventually helped me land my agent.) But the conference did so much more for me than just help me connect with agents.

The conference:

  • Offered great advice on perfecting my query letter.
  • Helped me learn new skills for revising, plotting, world building, character building, and other craft lessons.
  • Inspired me to get on Twitter where I connected with countless writers and publishing professionals.
  • Connected me with multiple critique partners.
  • Allowed me to talk with editors about what they were looking for.
  • Helped me establish relationships with big name authors.
  • Offered free help setting up my blog.

When you look at all the things you can gain by going to a conference, it’s worth the cost because you can’t get some of those things just from reading books about writing.

In that vein, I recognize conferences can be expensive once you add in travel and lodging. So if you can’t swing attending one in person, look for online ones. For example, WriteOnCon is a good one that’s very inexpensive. Another one you should check out that’s coming up soon is offered by the same Midwest Writers Workshop that I went to. It’s called Build a Better Plot with Shirley Jump.

Find out more about it here:

http://www.midwestwriters.org/2017/03/build-better-plot-shirley-jump-mww-ongoing-starts-march-27/

There could also be conferences offered in your state or through your local writing center.

The other conferences I’ll be attending this year as either a participant or panelist/speaker are:

Seven Sentences (presented by Maggie Stiefvater)

Nashville, Tennessee

April 2nd, 2017

https://www.eventbrite.com/e/seven-sentences-nashville-tickets-32341738009

(Note: Other dates and locations available)

 

Midwest Writers Workshop

Muncie, Indiana

July 20-22, 2017

http://www.midwestwriters.org/

 

Ch1Con

Chicago, Illinois

August 5th, 2017

https://chapteroneconference.com/

 

Will you be at any of these conferences or have a conference you want others to know about? Let me know in the comments.