Movie Deal for A TOUCH OF GOLD

The news is out! The movie rights for A Touch of Gold by Annie Sullivan have been sold to some amazing producers.

Annie Sullivan’s novel, A Touch of Gold, published by Blink, a division of HarperCollins, about the cursed daughter of King Midas who must face pirates, betrayers, and thieves on her quest to retrieve her father’s stolen gold, has been optioned to producers Michael Uslan, David Uslan, and Jon Karas. 

“It’s a thrill-packed, fun adventure story in the spirit of “Aladdin” that turns the King Midas mythology on its head! Annie Sullivan’s novel is a tale for all ages, and she continues this magical series in her second book, A Curse of Gold,” announced Michael Uslan, the Originator and Executive Producer of the Batman movie franchise. Leslie Conliffe at Intellectual Property Group on behalf of Christa Heschke at McIntosh and Otis, Inc. repped the author in the deal. The Uslans are repped by WME.  

YA Valentine’s Day Reads

Love can happen in unexpected places and ways. So in honor of St. Valentine’s Day, here are some young adult fantasy reads that have unexpected romances or romances that happen in unique ways!

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  • Kiss of Deception by Mary E. Pearson

This book is told from 3 points of view—the princess who ran away from her wedding, the prince who goes after her, and the assassin sent to kill her. However, the story is told so masterfully that when the princess is interacting with the prince and assassin, you don’t know which is which! You’ll be on the edge of your seat!

young adult fairytale retelling book
A Touch of Gold by Annie Sullivan

  • A Touch of Gold by Annie Sullivan

In this retelling about the cursed daughter of King Midas, don’t trust anyone. You never know who’s hiding secrets and who might think the girl with the ability to turn things to gold might be worth her own weight in gold.

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  • Caraval/Legendary by Stephanie Garber

These two books will also keep you guessing as to who our heroines might end up with. Who can you trust? Whose relationship is real? Who’s telling the truth? Garber will lead you into the world of Caraval and delight your senses as you try to figure out the answers to all those questions.

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  • Doon by Lorie Lagdon and Carey Corp

This YA retelling of Brigadoon has some swoon worthy princes from Scotland, but things get complicated when you’re leaping through time. Pick up this series to see who ends up with their prince!

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  • Just Ella by Margaret Peterson Haddix

This is an oldy but a goodie. This Cinderella retelling talks about what happens after the ball. Everyone expects Cinderella to stay in love with the prince she just met…but what if love takes an unexpected turn?

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In this Mulan-inspired retelling, Mariko is supposed to be married off for political gain, but things turn awry on the way there. Will love find a way to survive?

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  • The Selection

What if love were a competition similar to The Bachelor? What if you only entered because you wanted the money that came with winning? What if you found love once you arrived?

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  • Matched by Allie Condie

What if the government picked who you loved? What if your match was revealed during a big ceremony? What if you saw someone else’s face for a split-second when your match was revealed?

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  • Sky in the Deep

Sometimes love doesn’t come from those you expect. In this Viking-inspired tale, you might turn to your enemies to survive. And you might find that they aren’t truly your enemies at all.

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  • Sea Witch

You’ll feel as if you’ve been put under a spell reading this twisted reimaging of The Little Mermaid myth. Hold on to your fins as you see who falls in love with whom.

 

Who is your favorite young adult couple? Share in the comments!

 

 

 

Prizes for Preordering A TOUCH OF GOLD!

Prizes for preordering! Ways to get signed/personalized copies! Giveaways! And more!

A TOUCH OF GOLD, a young adult fantasy novel about the cursed daughter of King Midas who faces pirates, betrayers, and thieves on her quest to retrieve her father’s stolen gold, releases in just over a month! Have you preordered your copy yet?

Preorder at any of these sites or at your favorite independent bookstore!

 

Why should you preorder?

Preordering helps my publisher know that you’re excited about the book and helps convince them to buy more books from me. Also, preorders all get counted during the book’s first week on sale, meaning authors have a better chance of making things like The New York Times bestseller list if they get a lot of presales.

The two single most important things you can do to help an author are to preorder the book and to spread the word on Facebook and social media sites.

 

Want to preorder a SIGNED copy of A Touch of Gold?

Are you interested in getting a signed/personalized copy of A Touch of Gold but can’t make it to my launch party? I’ve partnered with Kids Ink bookstore so you can get signed copies of my book. All you have to do is call them at 317-255-2598 to place your order, and they’ll ship it to you!

 

Prizes for preordering A Touch of Gold

In the coming days, I’m going to be publicizing my preorder incentive—that means anyone who preorders will get some really cool prizes when they send in their proof of purchase. Make sure you’re following me on the below social media sites to find out how to claim these amazing prizes! These prizes will only be for people who preorder, so don’t wait!

 

Near Indianapolis?

If you want to come to book event of the year (in my opinion), then come to Barnes & Noble River Crossing on August 17th at 7pm for my book launch party. There will be prizes, fun activities, and a book themed cake that you won’t want to miss!

Details here: https://www.eventbrite.com/e/touch-of-gold-release-party-tickets-46200875061?ref=enivtefor001&invite=MTQ0Mjk3NjkvYW5uaWVzdWxsaXZhbjE2NjFAZ21haWwuY29tLzA%3D&utm_source=eb_email&utm_medium=email&utm_campaign=inviteformalv2&utm_term=attend

 

Touch of Gold Final Cover Image

 

YA Book A TOUCH OF GOLD is available for preorder!!!

I can’t believe this day is here, but my YA debut novel about the daughter of King Midas is available for preorder.

You can find it at:

Amazon link:
Barnes & Noble link:

Why should you preorder A Touch of Gold

1.) Publishers often make decisions about an author getting a second book deal based on preorder numbers.

2.) The more preorders, the more copies of the book they’ll typically print, which means they’ll then usually increase marketing budgets to sell all those books.

3.) All preorder sales hit on the same day, meaning an author could potentially make lists like the New York Times bestseller list because all those sales count for the same week.

4.) You’ll usually get a cheaper price. Preorders are usually discounted the earlier you order.

5.) You’ll make an author’s day! I can’t tell you how happy I was when a friend told me she’d preordered 10 copies of my book!

 

Also, feel free to add the book on Goodreads!

I will keep you all updated on book signings and appearances. Thank you all for your support. I couldn’t have done all this without you!

7 Tips to Get the Most Out of Any Writing Conference

I attended my first writing conference (the Midwest Writers Workshop) back in 2013, and I went in with one goal: to get a literary agent. Every decision I made was calculated on how best to accomplish that goal. Did I leave that conference with a literary agent? No. But I did leave with the knowledge and connections that helped me land one within the next four months. So here are my secrets to how you can get the most out of a writing conference.

1.) Treat it like a job

If you want to actually make money writing, then you have to treat it like a business. Invest in business cards. Start author pages on Facebook and/or create a blog or Twitter account. Make sure people can find/contact you after they leave the conference.

2.) Define your brand

Since you need to treat writing like a job, you need to figure out what your brand is and make sure you’re consistent. This means, if you’re writing picture books and an agent goes to your Twitter and sees nothing but tweets full of profanity, they may be turned off (unless that’s what your picture book is about, of course.) You need to encompass what you’re trying to sell. This means dressing the part, too. If you’re pitching an agent face-to-face, look presentable. However, if your brand is all about goth vampires, don’t be afraid to let that show in your clothing and makeup choices. You have to be the best representative of what you’re pitching them. This also stands true with alcohol consumption. While some people may need some liquid courage before facing agents during a conference’s cocktail hour, you can leave a bad impression if you consume too much. Keep in mind your brand encompasses all that you do and say.

3.) Strategically plan your agent interactions

Many conferences offer a chance to pitch agents. Take advantage of this. Of course, do through research ahead of time to see which agent is the best fit. At some conferences, they also offer everything from query critiques to first 10 pages critiques, often by editors and agents. If that’s the case, it could be worth the money to do both, especially if there were two or three agents who might be a good fit for your story. By doing a pitch with one agent, a query critique with another, and a 10 page critique with a third, you can successfully get feedback from all three and see if they’re interested. If nothing else, when you do query them, you can include that you met them at that specific conference, which always helps.

**Bonus Tip** Sign up for the conference early for the best chance of getting to pitch/have a query critique with the agent or editor you want. Slots often fill up fast!

4.) Find your people

Conferences are one of the best places to meet critique partners. Talk with as many people as you can to find other writers who write in your genre or age group. Take advantage of activities like “Find Your Tribe” to meet people who write what you do. Even if you leave without making any headway with agents, you might just leave with a new critique partner who can help you polish your next work in progress so it catches an agent’s eye. Or, a new writer friend might have an agent already and be willing to put in a good word for you.

5.) Don’t be a wallflower

If you’re shy or introverted, it can be hard to put yourself out there. But if there are opportunities to read your work aloud or have your first sentence critiqued during a session, speak up. You never know what agent has snuck into a session and is listening. The more you put yourself out there, the more you’ll get in return.

6.) Make the most of every opportunity

Having lunch and there’s an empty seat next to that literary agent you know would love your book? Take it! Did an author give a great session on world building? Stop them in the hallway and let them know. You never know what interaction could open a door for you. Be kind and sincere, and don’t be afraid to take chances. (Note: DO NOT approach literary professionals in the bathroom, and do not blind pitch them when you’re standing in the lunch line. Only tell them about your story if they ask, and generally, they will ask because they’re just as eager to find good stories as you are to get published.)

7.) Don’t be afraid to attend different sessions

Are you a fantasy writer? Don’t be afraid to attend a session on writing mysteries. You never know what tips you might pick up about adding suspense and writing about villains. The biggest thing is to go in with an open mind so that you can absorb all the information being thrown at you, and then, when you get back in front of your manuscript, you can sort out how to implement it.

 

Above all, have fun and make friends. Being a writer can be tough and isolating, but going to conferences is one of the best ways to break out of those ruts. Take chances, and maybe in a year or two, you could be that author giving a session on voice or point of view. Good luck, and I hope to see you at Midwest Writers Workshop this year!

 

 

How to Deal with Writer’s Block (featuring a T-Rex)

How do you deal with writer’s block? That’s a question many authors ask. Learn how to overcome writer’s block with these simple tips…presented by a T-rex!

 

Having any other methods you swear by for getting over writer’s block? Share them in the comments!

Twitter Hashtags Every Writer Should Know

Twitter is a writer’s hub. It’s a place where you can interact with agents on a social level, find critique partners, and enter contests that can give you a leg up in your agent search. It’s also a great way to improve your platform so potential publishers will see you have a built-in audience.

But how can you be sure you’re getting the most out of Twitter? Start by being active using writing related hashtags. These will help you find and connect with others in the writing community.

Here are some popular ones to follow:

  • #amwriting
  • #amreading
  • #amrevising
  • #Writerstip
  • #books
  • #writerslife
  • #writingtip
  • #pubtip

 

There are also some writing exercises where you share a line or two based on a posted theme on certain days of the week:

  • #MuseMon (Monday)
  • #2bittues (Tuesday)
  • #1linewed (Wednesday)
  • #Thurds  (Thursday)
  • #FictFri (Friday)
  • #SlapDashSat (Saturday – no theme)

The theme for many of the above hashtags changes weekly, so be on the lookout for what the upcoming one is. There are additional ones that drill down into things like Science Fiction (#SciFiFri), so be on the lookout for those if that’s what you write.

Finally, one other valuable hashtag that deserves it’s own section is the #MSWL hashtag. It stands for Manuscript Wish List, and agents and editors use it to tweet about what specific projects or ideas they’d like to see land on their desk. This is a great way to find an agent who might be interested in seeing that super unique book you just wrote.

Twitter is also an excellent way to enter contests, so be on the lookout for events, like #PitMad, where you can tweet about your book and get it front of agents scrolling through the feed.

So get out there and start interacting and tweeting! Have any other favorite writing related hashtags? Share them in the comments.

 

 

 

What to Look for in a Critique Partner

My last post focused on where to find critique partners, and this week’s post is all about making sure you’ve got the right ones.

Here are some things you should look for in a critique partner to have the best chance at being compatible.

  • Can you be candid with one another

The point of having a critique partner is so that they can help you make your work better through constructive criticism. If your critique only tells you how good something is or how much they like it, they really aren’t helping you revise and grow as a writer. They need to be able to approach your work with a critical eye in order to help you gain deeper insights into your work and what issues might need addressing.

  • Write for the same age group

This may not seem important, writing is writing, right? Well, to a degree. However, someone who writes for the same age group is going to understand that reader and the pacing of the story. Plots and timing are going to be very different for an adult novel versus a middle grade novel.

  • Write the same genre

Like #1 above, writing the same genre can be helpful because someone who writes science fiction or fantasy might understand world building and what needs to go into it better than someone writing a contemporary novel. However, this is not a hard and fast rule. As long as a critique partner gets your work, that’s what’s more important.

  • Make sure they have time for you

People are busy these days. If they’re not doing their own writing, they’re off doing any number of other tasks. And there’s nothing more frustrating than sending out your work and never getting it back. On the flip side, make sure you have time to help them with their writing in return.

  • Try trading sample chapters to make sure you like their writing

Before you officially agree to partner, try trading sample chapters. Maybe you’ll hate their writing. Maybe you’ll love it, but it’s better to know before you commit yourself to a whole book.

  • Different perspectives

It can be good to get different perspectives. Is your main character a female? Have a male critique partner read it and see what he catches. Or, if you’re a female writing a male character, see what a male critique partner points out as unnatural. (Side note: for certain works you may also want sensitivity readers if you’re writing outside your own experience.)

Other aspects that might signal you’ll be good partners include having the same sense of humor, liking the same authors/books, and being able to articulate feedback in a way that makes sense to each other. Keep these in mind when you meet potential critique partners, and you’ll be off to a good start.

What do you look for in a critique partner? Share your thoughts in the comments below.

 

 

The 5 Critique Partners Every Writer Needs

Have you ever finished a draft and thought, “Wow! That’s perfect!” If you have, congratulations. Please share your secret with the rest of us.

While I’ve certainly been excited about what I’ve written, I always recognize that it’s going to need to go through revisions. And the first revision always comes from my critique partners, also called beta readers by some. These are people I trust to look at my work with a critical eye and tell me where the story isn’t flowing or where something doesn’t make sense.

I highly encourage you to have more than one reader. I have a handful of readers, and I bring them in at different points in the process. My first reader is always my sister. (I know, I know, there’s a whole group out there who screams that you shouldn’t have family members read your work.) But my sister is one of my best readers and sharing it with her is an easy transition to sharing it with the world. Plus, she catches all my stupid spelling mistakes. But you’ll need a variety of readers with different skill sets in order to make your novel truly shine:

1.) Find the critique partner(s) you trust explicitly

Sure, you’re not going to agree with 100% of their comments, but this is the person you trust to be honest about your work. Use them first as that buffer between those tricky emotions of wanting to share your work and not wanting to share your work. This person should be encouraging but able to tell it to you straight.

2.) Find the critique partner who **gets your work**

After I edit based on my sister’s feedback, I have a writer friend I send to. Since she’s a writer, I can trust her to know how plots should flow and how characters should be developed. This is usually when I have to do a major revision because things need to be clarified or expanded upon. (Side note: all critique partners should **get your work,** and you may want to alternate who you send to first based on their workload, the type of story you’ve written, etc.)

3.) Find your “reserve” critique partners

Usually after my revisions from my second reader, I send my book off to my agent. But, why, you ask would I do that when I have so many other **AMAZING** critique partners available who also get my work? Here’s why, I like to use them strategically. Once my agent sends me her edits and I revise, I like to send the book to a new critique partner each time. Are they still pointing out the same lingering issues I’d thought I’d fixed for my agent? Have I inadvertently deleted a really important scene or bit of backstory while I was revising? These new readers will catch things like that.

4.) If you’re querying agents, save a critique partner for that step, too

I know you want everyone in the world to read your work before you send it off to agents, but save one or two critique partner’s for this step. Having someone who hasn’t read your book read your query letter can really help. They can point out what doesn’t make sense or where you’ve mentioned a character but not how they’re integral to the plot. They will come to your query letter with the same knowledge an agent would, so listen to them if something isn’t making sense. This can also apply to writing your synopsis, too.

5.) The “Good Grammar” critique partner

Sometimes it can help to have one critique partner who’s really good at grammar read through before you send off to agents/editors/etc. My mom is really good at this, and while most of my critique partners will point out errors, it doesn’t hurt to have someone you know you can count on to do a final read through. Alternatively, you could also hire an editor, but as long as you’re manuscript isn’t riddled with errors, one or two misplaced commas shouldn’t be a deal breaker for agents (just make sure those errors aren’t on your sample/opening pages because that could be a deal breaker!)

 

Some of these critique partners may be one and the same. The critique partner who gets your work may also be your Good Grammar critique partner. Or maybe you don’t need that buffer of a critique partner who can ease your book’s transition out to the world. It just comes down to knowing what you need and that you’ve got all your bases covered.

If you’re looking for critique partners, feel free to comment on this post with what you write (include if it’s Adult, YA, MG, etc) to see if you can find someone else who might be interested in partnering with you and trading work! Or, check out my blog next week when I list ways to find critique partners!

Word Count vs. Timed Writing: Which is Right For You?

If you ask almost any writer what they wish they had more of (besides money, of course!), the answer is usually more time to write. In this day and age, everything from kids to social media can be barriers to that illusive time every writer seeks to sink back into the world of their story.

Once you’ve managed to carve out that time, you’ve got to discover the best method to keep you motivated and writing so you can feel like you’re making true progress.

During my grad school career, I had a teacher who swore by the method that you should set a timer for about 42 minutes. He said if you wrote for 42 minutes, then you’d probably end up writing for far longer because you’d get engrossed in the story.

I tried that method, and it didn’t work for me. I kept watching the clock tick down in time with the blinking cursor on my blank page. The ticking clock didn’t inspire me; it froze me in place, making me worry about all the time I’d already wasted. And suddenly, I felt like I didn’t have enough time left to come up with anything productive.

Luckily, I had another friend who told me she had a word count she wanted to hit each day. And that worked for me. I set my limit rather low at just 500 words a day. Some days those 500 words were a struggle, but many days (most, in fact), I found myself far surpassing that milestone. It was just 500 words. That’s like one single-spaced Word document page. I could do that. I didn’t feel overwhelmed by it. And unlike the clock ticking down, my word count was ticking up, making me feel like I was accomplishing something.

Writing is all about balancing the time you have with a method that allows you to write and still feel like you’re moving the story forward.

Are you a timed writer or word counter? Do you use another method? Share your responses in the comments.